Review: Boston Musical Intelligencier - Bach Would Have Approved
In Concerto No. 5, the liquid lines of flutist Emi Ferguson joined the strings; she often appeared to float aloft on the very melodies...
El Cimarron in NYTimes
Check out Zachary Woolfe's profile of AMOC's presentation of Henze's El Cimarron in the NYTIMES. https://www.nytimes.com/2019/05/09/arts/...
Financial Times Reviews El Cimmaron
El Cimarrón at the Grace Rainey Rodgers Auditorium, Metropolitan Museum of Art, New York — a spellbinding performance...
Wall Street Journal Reviews El Cimmaron
‘El Cimarrón’ and ‘Murasaki’s Moon’ Reviews: Opera in a Temple of Art Henze’s 80-minute chamber piece for voice, flute, percussion and...
New York Times, Review: ‘El Cimarrón’ Weaves Politics and Music in a Runaway Slave’s Tale
Henze, who met Montejo in Cuba, described “El Cimarrón” as a “recital for four musicians,” here the bass-baritone Davóne Tines, the...
Boston Musical Intelligencer: H+H Does Right by Namesake Composer
JANUARY 30, 2019 H+H Does Right by Namesake Composer by Susan Miron Haydn crosses the English Channel Handel and Haydn Society’s Sunday...