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Amour Cruel reviewed in The Flute View

Big 🙏thank you to The Flute View and Barbara Siesel for the review of 💔Amour Cruel💔 in their November issue!

❤️"a genre breaking, spectacular work of art!"❤️

✨"this album is one of the most original and interesting I’ve ever heard"✨ and ✨"it has the power to open minds and hearts to classical music in a new way."✨

Check out the full review here:

Emi Ferguson: Amour Cruel Album Review

Nov 1, 2017 by The Flute View

Emi Ferguson’s new album is a genre breaking, spectacular work of art! Emi’s premise is, “What if Louis XIV were living today and curated his court composers with musicians like Beyonce, Lana Del Rey or Adele?” In answer to that question, she used 17th century French songs as inspiration and fused old instruments with modern styles and production to create the truly original set of songs on the album. You may be wondering – songs?—flute album? – what’s she talking about?! Not only does Emi play flute(s) including modern and baroque flutes, she is also the stellar vocalist on the album. Yes, she’s a beautiful singer as well, and she wrote and arranged all the music too. And if you’re wondering what else she does beautifully then check out the video of the opening track and title song, Amour Cruel, and marvel at the beautiful red dress that Emi created and designed!

A very accomplished flutist, Emi won First Prize in the NFA’s Young Artist Competition, the NY Flute Club Young Artist Competition, the Mid Atlantic Flute Competition, and the Juilliard Concerto Competition. She is passionate about “new” and “old” music and has performed worldwide on both modern and baroque flutes in Switzerland, New York, and France and at major festivals like Marlboro, Lucerne, and Lake Champlain.

We did a video interview of Emi in which she talks about the album, so I’ll spend some time on the songs themselves. As the title song implies, the bilingual tracks are all tales of love gone bad and they pack an emotional punch! The beauty of her flute playing and her expressive and intensely felt singing draw you into to the world of love and loss that are both enhanced by being combined. Track 10, Enfin la beaute que j’adore, for example, brings us back to the Renaissance in style with a slight inflection of folk music as well.

The first title track, Amour Cruel, is a mostly vocal work in which Emi sings with deep emotional feeling and vocal inflection, accompanied by flute and a virtuoso team of musicians. In fact, each of her musicians is a virtuoso in their own right and are comfortable in both contemporary and classical styles. The outstanding musicians are Jordan Dodson/guitars, Paul Holmes Morton/theorbo, lute, and guitars, Doug Balliett/basses and viola da gamba and Sam Budish/percussion.

On all the selections, Emi’s flute playing is beautiful, refined, expressive and full of sparkle, but to me this all goes without saying as this album is one of the most original and interesting I’ve ever heard. I hope it goes to the top of the pop charts as it is already has on both the classical crossover and classical charts as it has the power to open minds and hearts to classical music in a new way.

--Barbara Siesel

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